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・ Johan Andersson (artist)
・ Johan Andersson (footballer born 1974)
・ Johan Andersson (footballer born 1983)
・ Johan Andersson (game programmer)
・ Johan Andersson (ice hockey, born 1987)
・ Johan Andersson (wrestler)
・ Johan Andersson i Raklösen
・ Johan Andreas Altenburg
・ Johan Andreas Cornelius Ohme
・ Johan Andreas Dèr Mouw
・ Johan Andreas Holvik
・ Johan Andreas Kraft
・ Johan Andreas Lippestad
・ Johan Andreas Murray
・ Johan Anker
Johan Ankerstjerne
・ Johan Anthierens
・ Johan Arnd Aasgaard
・ Johan Arndt
・ Johan Arneng
・ Johan Arnold Bloys van Treslong
・ Johan Arnold Smellekamp
・ Johan Arnt Wenaas
・ Johan Arvid Gunnar Syrén
・ Johan As'ari
・ Johan Aschehoug Kiær
・ Johan Asiata
・ Johan Asplund
・ Johan Asplund (ice hockey)
・ Johan Audel


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Johan Ankerstjerne : ウィキペディア英語版
Johan Ankerstjerne
Johan Valdemar Ankerstjerne (17 January 1886 – 18 August 1959) was a Danish cinematographer who for many years was head of cinematography at Nordisk Film. He was reportedly the best cameraman in Denmark in the 1910s, making many films for August Bloom from 1911 until 1916 and then for Benjamin Christensen. He created the unique "images of Haxan". In 1932 he founded Denmark's first film laboratory, Johan Ankerstjerne A/S which, after merging with Nordisk Film Teknik, became the largest production facility in the country.〔("Johan Valdemar Ankerstjerne" ), Gravsted.dk. Retrieved 31 May 2013.〕
==Career==
Ankerstjerne first became a watchmaker in Randers. In 1907, he also became an operator in the town's first cinema. It was not long before he decided to make films himself, starting with short documentaries. When Nordisk Film expanded in early 1911, he was put on probation as a photographer but was quickly given a job in feature films. By the end of the year, August Blom had appointed him leading photographer. He soon became Blom's favorite photographer, handling the camera work on the highly successful ''Atlantis'' (1913).〔("Johan Ankerstjerne" ), ''Den Store Danske''. Retrieved 31 May 2013.〕
In 1915 he left Nordisk Film to become a cameraman for Benjamin Christensen who was directing ''Hævnens Nat'' (''Blind Justice'') which was completed in 1916.〔 With this film his status rose to a level of a highly acclaimed cameraman. He was one of the first Cameraman in Europe who adopted the three point lighting system then common in the US. He adopted this innovative technique effectively for closeup shots using arc lighting from “a three quarters back position". The prevalent practice in Europe then was not to use back lighting while using spotlights.
He then worked for the newly founded film company Dansk Film Co., later known as Dansk Astra Film, until 1921 when he was again engaged by Christensen to work on the Swedish/Danish film Häxan (1922). After joining Guðmundur Kamban to shoot ''Hadda Padda'' in Iceland, he was employed by the technical department of Nordisk Film until 1931.〔
The following year, in 1932, Ankerstjerne launched his own business, Johan Ankerstjerne A/S, which became the leading Film Laboratory in Denmark for 16 mm and 35 mm films. It is now under the ownership of Nordish Films Kompagni.
He remained with this establishment until his death in 1959. The firm soon became Scandinavia's largest film copying company.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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